WHAT’S IN A NAME?
By David J. Leonard | with thanks to NewBlackMan
Sunday, January 1, 2012.
Several weeks back, at the conclusion of HBO’s Real Sports, Bryant Gumbel took David Stern to
task for his arrogance, “ego-centric approach” and eagerness “to be
viewed as some kind of modern plantation overseer, treating NBA men, as
if they were his boys.” Highlighting the power imbalances and the
systematic effort to treat the greatest basketball players on earth as
little more than “the help,”Gumbel invoked a historic frame to illustrate his argument.
If
the NBA lockout is going to be resolved anytime soon, it seems likely
to be done in spite of David Stern, not because of him. I say that
because the NBA’s infamously ego-centric commissioner seems more
hell-bent lately on demeaning the players than resolving his league’s
labor impasse.
How
else to explain Stern’s rants in recent days? To any and everyone who
would listen, he has alternately knocked union leader Billy Hunter, said
the players were getting inaccurate information, and started sounding
Chicken Little claims about what games might be lost, if players didn’t
soon see things his way.
Stern’s
version of what’s been going on behind closed doors has of course been
disputed. But his efforts were typical of a commissioner that has always
seemed eager to be viewed as some kind of modern plantation overseer,
treating NBA men, as if they were his boys.
It’s
part of Stern’s M.O. Like his past self-serving edicts on dress code or
the questioning of officials, his moves were intended to do little more
than show how he’s the one keeping the hired hands in place. Some will
of course cringe at that characterization, but Stern’s disdain for the
players is as palpable and pathetic as his motives are transparent. Yes
the NBA’s business model is broken. But to fix it, maybe the league’s
commissioner should concern himself most with a solution, and stop being
part of the problem.
Not surprisingly, his comments have evoked widespread criticism and scorn: see Example #1, Example #2, Example #3 and Example #4). Even
less surprising, commentators have chastised Gumbel for inserting race
into the discussions, as if race isn’t central to the lockout, the media
coverage, and fan reaction. As evidence, the response to Gumbel, and
the ubiquitous efforts to blame the lockout and the labor situation on
the players through racialized language (see here for example – h/t @resisting_spec), illustrates the ways in which race and hegemonic ideas of blackness operates in this context.
Also
revealing has been the response to Jeffrey Kessler, a lawyer for the
NBA players Association, who similarly described David Stern’s treatment
of the players. He told the Washington Post: “To present that
in the context of 'take it or leave it,' in our view, that is not good
faith. Instead of treating the players like partners, they're treating
them like plantation workers.” While his comment elicited some
backlash along with an apology, the vitriol and the level of indignation didn’t match the reaction to Gumbel.
Beyond
the power of white privilege in this regard, what has been striking has
been the references to history by the anti-Gumbel/Kessler crowd; much
of the criticism at Gumbel and Kessler has focused on their historic
amnesia. That is, their comments, while being inaccurate, unfair, and
infusing race into otherwise colorblind situation, are disrespectful
towards the history of slavery in America. References to slavery in
this context betray the violent history of American slavery. In “Occupy the NBA: A Plea from an Avid Basketball Fan” Timothy Jones takes Gumbel to task for the historic slight here:
I’m appalled that anyone would compare this situation to slavery. I have great respect for Bryant Gumbel, but hisquote that
David Stern sees himself as a modern day plantation overseer is not
only disrespectful to our ancestors, but it also did nothing to help
this situation. Stern may not be handling this situation well, he may
not have the best interest of the players in mind, he may be a mean
person (I really have no clue), but I do know that brothers making
millions of dollars are nothing like slaves on a plantation.
Charles Barkley agreed,
referring to Gumbel’s comments as “stupid” and “disrespectful to black
people who went through slavery. When (you're talking about) guys who
make $5 million a year.” Likewise,Scott Reid questioned the
use of such an analogy given history: “The point is that too many
people inappropriately use slavery and enslaved people to make points
about things that are nowhere close to comparison. All of these casual
slavery analogies do nothing but diminish one of the worst crimes
against humanity in human history. Comparing enslaved Africans, or
anyone else for that matter since slavery still exists for many enslaved
people, is not only absurd, it is just plain disrespectful to the
memory of the millions who perished under the worst kind of injustice.”
While seemingly representing a different set of politics, blogger David Friedman also noted the historic disrespect in Gumbel’s comments:
Bryant
Gumbel's ludicrous, poorly thought-out (and anti-Semitic) rant against
Stern: comparing Stern to a "plantation overseer" is offensive, a
falsehood that simultaneously diminishes the true suffering of Black
slaves in the American South while also slurring a Commissioner whose
league has consistently been at the forefront in terms of hiring Black
executives and coaches. Gumbel's attack against Stern comes straight out
of the Louis Farrakhan playbook--portraying Jews as exploiters of
Blacks--and Gumbel's consistent track record of expressing such bigoted
attitudes would have terminated his career a long time ago if his chosen
target were any group other than Jews (just imagine a White commentator
speaking similarly about a Black person or anyone saying anything
remotely derogatory regarding homosexuals).
At
one level, I find such criticisms to be simplistic. The references to
slavery are not literal comparisons, but rhetorical devices that seek to
emphasis power, race, and the control of black bodies within modern
sporting context. The rhetorical comparison/analogy isn’t simply about
physical control but ideological and mental power
differentials. Moreover, in a society that routinely devalues,ignores, sanitizes, and erases the horrors of American slavery, I think the selective resistance by many raises questions.
Yet,
questions and criticisms about a slavery analogy (and it is an analogy)
are important because it demonstrates the power of language. There is a
danger in comparisons as differences or the specificity of history are
erased, flattened, and otherwise stripped because of the varied
realities at work.
Yet,
the critics of the “40-million dollar slave metaphor” are often as
guilty as those deploying (myself included) these analogies through
their frame of history. In other words, in imagining slavery as a
historic institution, as something exclusively in the past, these
critics perpetuate the false understanding of slavery in our
contemporary moment. The danger and difficulty of this rhetorical
comparison is not simply about betraying or disrespecting history (how
can two so different experiences be described through the same
word/historic frames), but in perpetuating the idea that slavery exists
ONLY in the past. These critics lament Gumbel, Rhoden, and others by
arguing that the NBA, in the contemporary, has nothing to do with
slavery, which exists in the past.
Slavery exists in our present and in our presence. From Brazil to Ivory Coast, from India to Nepal, from Florida to North Carolina,
slavery exists in our contemporary world. It remains a violent scourge
on our society. Understanding both history and the contemporary
manifestations of slavery must inform rather than obscure, complicate
rather than simplify, and provide depth rather than flatten the
rhetorical usage of slavery metaphors, whether it be with the NBA,
sports, or otherwise. Phillip Lamar Cunningham, in “Toward An Appropriate Analogy,”
illustrates the complexity here, reflecting on a shared and divergent
history, one that points to the dialects of race, power, body, control
and economic profits:
That
said, today’s NBA player’s situation is not wholly unlike that of the
post-Civil War freedman. Free of literal shackles, the former slave is
free to fend for himself now that he is no longer bound to the
plantation. While he was free to go anywhere he chose, he faced the
choice of living in a volatile South or a disdainful North that merited
him no semblance of equality. Some fled North and carved something out
of nothing; many stayed behind as sharecroppers.
To
drive the analogy further, one must also consider the position in which
league owners find themselves, which is not unlike that of the former
slaveowner. With his hold on the slave relinquished, the slaveowner
still held the same need for labor. With his primary source of labor now
having a semblance of independence, the plantation owner had to
negotiate labor costs. Theoretically, he could look elsewhere for labor,
but of course the former slave was best suited for the work. This is
not unlike today’s NBA, a league in which its primarily black talent is
best suited for the job and without whom it is likely to fail or at
least face a great deal of hardship in returning to prominence (as did
the National Hockey League after its 2004 lockout).
Consider the following quote regarding sharecropping from Alan Conway’s controversial The Reconstruction of Georgia(1966):
“[S]harecropping was to a degree the least of all evils, a yoke of
compromise which chafed both parties but strangled neither. The owner
was able to retain a fair amount of supervision of his land and the
Negro cropper took his half loaf of independence as better than none at
all” (116). Sadly, the same easily could be paraphrased and applied to
today’s NBA lockout.
While NBA players are neither slaves on 19th century
cotton fields nor those who pick tomatoes, harvest cocoa in the Ivory
Coast, or work in the sex, soy and soccer ball industries, the “40
million dollar slave” is part of that history.
***
David J. Leonard is
Associate Professor in the Department of Critical Culture, Gender and
Race Studies at Washington State University, Pullman. He has written on
sport, video games, film, and social movements, appearing in both
popular and academic mediums. His work explores the political economy of
popular culture, examining the interplay between racism, state
violence, and popular representations through contextual, textual, and
subtextual analysis. He is the author of Screens Fade to Black: Contemporary African American Cinema and the forthcoming After Artest: Race and the War on Hoop (SUNY Press). Leonard is a regular contributor to NewBlackMan and blogs @ No Tsuris.
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